principle through eight oil paintings on wood in which captivating yet formidable beauty emerges from the void Black Black’s work has always had a seductive sense of danger, but in this series, the artist employs a vibrant THE WORLD DISAPPEARED will be on view from June 6th - July 6th, 2025 Sold works will begin to ship the

December 4th, 2020 Konczyk & Reeves dual exhibition FROM WITHIN OURSELVES WE SEE March 6th - 27th, 2020 Vek s Van Hillik solo exhibition BLANCHE April 17th, 2020 - ONLINE ONLY Joe Vollan solo exhibition WATER

By design, he paints open-ended dream-like symbolism, dependent on the viewer–psychologically, emotionally The figures in his paintings can be taken at face-value as different entities, or they could all be aspects One fact remains for all viewers–Jacobi’s work is always encompassing, enthralling and visually captivating $250 USD Jesse Jacobi "Fell Harvest 1" (2022) acrylic on canvas 12" x 12" $250 USD Jesse Jacobi "Avian Viral

their bright and whimsical style uses an electrostatic flocking technique to add a range of clean, velvety PURCHASE INQUIRY Horrible Adorables "Vrindl" 2024 pla, woolfelt, glass eyes, plastic stems, wood 31" 6.5" x 6.5" $400 USD Horrible Adorables "Goldhorn" 2024 Wool Felt, PLA, Glass Eyes, Glitter, Resin, Vintage pla, woolfelt, wood, key, glass eyes 9.25" x 5.75" x 5.25" $250 USD Horrible Adorables "Owlet" 2023 vinyl

is a gallery for established and emerging artists from all over the world, actively working in the vast Our programming provides access to a range of artistic expression through a variety of styles and mediums We accept all major credit cards, Paypal, Venmo, or money order and offer flexible payment plans on most If you are visiting and would like a private consultation, please reach out in advance. appointments are available outside of gallery hours and can be requested via email 109 Arch Street,

.” - Laura Catherwood TRUTH TELLERS will be on view from October 24th - November 15th, 2026 Sold works

Jacobi, Jordan Kressley, Maryann Held, Micah Ofstedal, Michael Camarra, Michael Reedy, Nom Kinnear King view the collection FEBRUARY RICHARD AHNERT DATE NIGHT mini collection ONLINE OPENING: February 5th, 2021 view BIGGEST FAN 3 group show ONLINE OPENING: February 19th, 2021 request the collector's preview APRIL JOE VOLLAN the collector's preview JANUARY MARYANN HELD PHASE/CHANGE feature ONLINE OPENING: January 22nd, 2021 view collection FEBRUARY RAE KLEIN THIS IS HOW IT IS NOW mini collection ONLINE OPENING: February 5th, 2021 view

2016 SCHEDULE MARCH The Way We Rust group exhibition Opening Reception: 6 - 10pm • March 4th, 2016 on view 26th, 2016 MARCH APRIL Hanna Jaeun On Borrowed Time Opening Reception: 6 - 10pm • March 4th, 2016 on view March 26th, 2016 Mab Graves Atomic Candy Cosmonaunts Opening Reception: 6 - 10pm • April 1st, 2016 on view through April 30th, 2016 APRIL Imaginary Menagerie, Vol. MAY Julianna Menna In The Cards Opening Reception: 6 - 10pm • May 6th, 2016 on view through May 28th

Plass, Emma Sancartier, Jack Shure, Jesse Jacobi, Naoto Hattori, Shannon Taylor, and Thomas Ascott view view the exhibition NOVEMBER Small Wonders 9 group exhibition ​ Opening: November 6th, 2020 ​ view the WITHIN OURSELVES WE SEE ​ Opening: December 4th, 2020 ​ view the exhibition MARCH Veks Van Hillik solo BLANCHE ​ Opening: March 6th, 2020 closing: March 27th, 2020 view the exhibition APRIL Joe Vollan solo WINTER 2021 group exhibition ​ Opening: December 4th, 2020 ​ view the exhibition

Reimold explains, “‘Vessel’ was the first piece conceived in this series, and in many ways is a piece Vibrant fruit, flowers, garments, and butterflies jump from the picture plane, popping out just to pull Reimold’s use of graphite on vellum creates a shadowed, velvety feel that she heightens with her use 10" x 12" $600 USD Allison Reimold "Peony" (2020) graphite and acrylic on vellum 10" x 10" $550 USD Allison Reimold "Poppy" (2020) graphite and acrylic on vellum 9" x 12" $500 USD past WORKs BY ALLISON

Primarily an oil painter, Mashburn uses narrative and meticulous attention to detail to engage the viewer

Also taking into consideration the fact that there was a chance this exhibition wouldn't be able to be viewed in person , we started thinking of ways virtual exhibitions were presented and what we could do to create a visually pleasing online show. If you're local to or in town visiting Philadelphia we encourage you to stop by to see the show for yourself In an effort to keep ourselves and visitors safe, we're limiting the amount of people in the space to